We see youre using a mobile device.
Would you like to try our mobile site: m.gsa.gov?
Historic Preservation - Technical Procedures
Applying Gilded Lettering To Interior Wood Doors
National Capitol Region Specifications - Agricul Admin Bldg
Applying Gilded Lettering To Interior Wood Doors
APPLYING GILDED LETTERING TO INTERIOR WOOD DOORS
A. This procedure includes guidance on applying gold leaf
lettering on interior wood doors to match original.
B. Gilding is the application of gold or silver leaf to a
prepared surface to give the illusion of it being solid
metal. It can have either a matte finish or a high
C. See 01100-07-S for general project guidelines to be
reviewed along with this procedure. These guidelines
cover the following sections:
1. Safety Precautions
2. Historic Structures Precautions
4. Quality Assurance
5. Delivery, Storage and Handling
6. Project/Site Conditions
7. Sequencing and Scheduling
8. General Protection (Surface and Surrounding)
These guidelines should be reviewed prior to performing
this procedure and should be followed, when applicable,
along with recommendations from the Regional Historic
Preservation Officer (RHPO).
C. Gold Leaf Studios, Inc.
930 F Street, Suite 200
Washington, DC 20004
D. Lou Reed
Reed's Framing Shop
Nashville, TN 37216
E. Wolf Paints
9th Ave. At 52nd Street
New York, NY 10011
F. H. Behlen and Bros.
Rt. 30 North
Amsterdam, NY 12010
G. M. Sift and Sons, Inc.
10 Love Lane
Hartford, CT 06101
H. M. Horowitz & Son
166 Second Ave.
New York, NY 10003
NOTE: Gold leaf supplies are available from suppliers listed
under Section 2.01 above.
A. Size: Quick or Japan gold size
C. Gesso: Whiting or plaster of paris mixed in an animal
size glue binder.
D. Bole: Mixture of gelatin and gilder's clay.
E. Paint: Lampblack ground in Japan, mixed with quick size
F. Gilding: Tissue booklet of gold leaf - available in
"patent" leaf (secured within a book) or "loose" leaf
G. Clean, cotton pads
H. Clean, potable water
A. Paint brushes
B. Gilder's tip - flat brush for lifting sheets of gold leaf
C. Soft bristle brush
D. Gilder's knife
E. Gilder's cushion
F. Agate, flint or hematite burnisher
3.01 ERECTION, INSTALLATION, APPLICATION
A. Make repairs to wood as required. See 06400-16-R, 06440-
01-R and 06440-04-R for guidance in repairing small
holes, dents and minor imperfections.
B. Resecure and repair any loose or damaged wood pieces.
See 06400-04-R, 06440-02-R and 06440-03-R for guidance.
C. Replace any missing or deteriorated wood features. See
06400-15-R for guidance.
D. Thoroughly clean the surface to be gilded. For guidance
on general dusting and maintenance, see 06400-01-P,
06200-01-P and 06400-01-R. For guidance on stripping
paint, see 06400-07-R and 06400-09-R. See also 06400-10-
R for additional wood refinishing guidance.
E. Apply gesso mixture over wood surface to be gilded to
smooth out the wood and fill small holes. Apply in many
thin layers. Several coats may be necessary in order to
sufficiently smooth the surface.
F. Apply mixture of gelatin and gilder's clay or "bole" over
gesso, or apply japan paint over the gesso.
G. Make stencils from cardboard to match original lettering
as closely as possible.
H. Lift gold leaf sheet from booklet using a gilder's tip.
I. Use the stencils as a guide and cut gold leaf to match
size, type and style of original lettering using a
gilder's cushion and gilder's knife.
J. Apply size to area to be gilded.
1. For matte finish: Cover the paint or "bole" with
shellac; apply a coat of varnish called "gold size"
to the wood surface. (This is a slow-drying size)
3. For burnished finish: Wet "bole" with a solution of
1 part alcohol to 4 parts water. (This is a quick-
K. Allow the surface to become tacky.
1. For matte finish: Approximately 10-12 hours.
2. For burnished finish: Approximately 1-3 hours.
L. When the surface has become tacky, position the gold leaf
and quickly place it over the surface using a gilder's
CAUTION: If leaf is applied while size is too wet, gold
will be 'drowned' and burnish will be killed. If size is
too dry, leaf will not adhere.
M. Smooth out sheets using a soft brush or clean cotton wad;
save any excess for patching later if necessary.
N. Before burnishing (if burnishing), wait 1-3 hours after
placing the gold leaf. The gesso and "bole" coating
needs to reach sufficient hardness before burnishing.
1. Burnish carefully using an agate burnisher. Using
gentle circular motions, rub the gold leaf using
slight pressure, gradually increasing pressure to
make firm strokes in one direction. Rub
sufficiently to achieve a dark mirror finish.
NOTE: TIMING IS CRITICAL TO SUCCESSFUL BURNISHING.
THEREFORE, THIS WORK SHOULD BE DONE BY A
PROFESSIONAL. If burnishing is performed too soon,
the gold leaf may mush; if burnishing is performed
too late, the gold leaf may chip.
O. If patching is required, cover surface with diluted
sizing and add a new leaf as above or use excess leaf
from previous applications.
END OF SECTION