U.S. Custom House, Houston, TX

U.S. Custom House, Houston, Texas

Building History

The U.S. Custom House occupies an entire block in the central business district of Houston, Texas. It was built as a post office and courthouse between 1907 and 1911 and later converted to use as the custom house. During this period, urban post offices often shared a building with courts and other federal offices. Houston competed unsuccessfully with Galveston during the latter portion of the nineteenth century, until the 1900 hurricane, the deadliest natural disaster in United States history, devastated Galveston. The risk to businesses, particularly shipping, caused many companies to move their facilities to the safer, sheltered port of Houston. By 1910, seventeen railroads moved passengers and freight to and from Houston. As Houston grew, the demand for postal facilities and other federal services increased and a new building to house them was needed.

The Supervising Architect of the Treasury James Knox Taylor designed the building in the Second Renaissance Revival style. Federal buildings constructed during this era used classical revival styles almost exclusively. Taylor's philosophy was that public buildings should be pleasant to look at, convey dignity appropriate to the federal government, and that they should be designed to permit a utilitarian interior arrangement. Construction began in 1907, and on December 1, 1911, thousands of Houstonians came to tour the building during its grand opening celebration.

The building was originally constructed to house the federal district court, a post office, and other federal offices. The increasing number of federal offices in Houston necessitated the 1931 addition. The courthouse operated in the building until 1962, the same year that the post office vacated a portion of the space originally allocated to it. Renovation of those spaces prepared them for other uses. The building has been listed in the National Register of Historic Places since 1974.

When this building was constructed, it was the only monumental Second Renaissance Revival building in Houston and one of the larger downtown buildings. It replaced a three-story polychromatic Moorish post office built in 1889, which had been unlike any other building in Houston at the time. Today, especially to the south, this building is surrounded by modern skyscrapers.


The U.S. Custom House in Houston occupies the city block bounded by San Jacinto, Carolina, Capital, and Rusk streets, with the facade facing northwest onto San Jacinto Street. It is a well-executed example of the Second Renaissance Revival architectural style, as evident in the arched first-story windows, rusticated stonework with deep joints, emphasis on the horizontal plane, and the stately appearance of the building. The classical origins of the style are manifested in the symmetry of the building and the shapes and motifs used to embellish both the exterior and interior. The main portion of the building has three stories with a full basement and the wings have four stories. The building has a copper Mansard roof, and interior light wells flank the area that began as the two-story courtroom.

Exterior cladding on the building is primarily granite, though a portion of the east elevation is clad in brick. The horizontal rustication of the first floor, entry bays, and quoins is characteristic of the architectural style. There are eleven bays in the main, or west, elevation. The T-shaped building has single-story wings on either side of the base of the T. These wings, and the wings that create the T shape, are all part of the 1931 addition. The addition omitted the first floor rustication, but is otherwise consistent with the architectural style of the original building. Each of the first floor windows and the doors are arched. There are belt courses between the first and second stories, and above the third-story windows. An elaborate entablature, including a dentil molding, cornice, medallions, and a simple frieze, encircles the building, topped by a decorative parapet that includes both a pedestal and balustrade.

The main entry doors are in the west elevation, in the second and tenth bays. Stone steps provide access to the entrances, each of which is flanked by freestanding ornamental metal lampposts. Each entrance projects outward from the vertical surface of the building. Above each door is a pair of ionic columns joined by a decorative balustrade. Between each of the two pairs of columns are two windows separated by an oval cartouche. A triangular pediment with an eagle signifies that this is a federal building. Floral designs within the triangle top each of these entries.

Constructed as a post office and courthouse, the building originally included postal facilities on the first floor, offices around the perimeter of the upper floors, and a central two-story courtroom. The south and west corridors on the first floor both retain their original terrazzo and gray marble floors. The lobby features terrazzo floors, marble baseboards, tongue and groove wood paneling, and plasterwork above the windows and on the beams with raised gold-painted laurel wreaths and geometric patterns. The current post office occupies only a portion of the space originally designed for it. The wood floor and vaults are original, as are some doors and windows leading to internal corridors. The second and third floor hallways retain their terrazzo and marble flooring. When use of the building as a courthouse ceased, the courtroom was converted into offices. Offices and other internal spaces were modified as their uses changed.


1907-1911: Building constructed

1931: Addition constructed

1962-1963: Renovation of building when U.S. Courts and post office relocate

1974: Building listed in National Register of Historic Places

Building Facts

Location: 701 San Jacinto Street

Architects: James Knox Taylor; James A. Wetmore

Construction Dates: 1907-1911; 1931

Architectural Style: Second Renaissance Revival

Landmark Status: Listed in the National Register of Historic Places

Primary Materials: Limestone, brick, and granite

Prominent Features: Elaborate frieze; Classical pediments featuring granite eagles; Grey terrazzo marble floor, coffered ceiling

U.S. Custom House, Houston, Texas

The U. S. Custom House building occupies one entire city block in the central business district of downtown Houston. The site is bordered by San Jacinto Street on the northwest, Carolina Street on the southeast, Capital Street on the northeast, and Rusk Street on the southwest. The main facade and two main entrances are on San Jacinto Street. Two main entries are designated with elaborate fluted columns, decorative and rectangular windows with swag ornaments between them, and decorative pediment. Two standing ornamental lamp posts are located on each side of the entries.

There are arch windows all around the building on the 1st floor; rectangular windows with decorative entablature on the 2nd floor, and square windows on the 3rd floor. There are two square plain wings on the northeast and southeast, and on the 4th floor they are totally covered with a copper mansard roof.

The building consists of four floors in the wings and three floors in the core with a full basement. There are two interior fire exit stairs between the 1st floor and basement, and two more connect the 2nd and 3rd floor to the 1st floor.

Three elevators serve the building with one freight elevator between the post office dock on the 1st floor and basement. There is a loading dock on the 1st floor on the east side which is divided by an exterior brick fire exit stair.

The exterior exposed masonry on the northwest, northeast, southwest, and part of the southeast elevations are granite stone, and the rest are brick. There is an open space in front of the former courtroom on the 2nd floor which is divided by an open walkway.

U.S. Custom House, Houston, Texas

The Customhouse is significant at the State and local level as an good example of the second renaissance revival around the turn of the 20th Century, and as a reflection of the Federal presence in Houston. The period of significance is around 1900-1924. Its actual date of construction is 1911.

Description Architect
1911 Original Construction Taylor, James Knox
Last Reviewed: 2017-08-13